Tuesday, May 29, 2012

Life on a Human Scale: The Cook Islands

Dear Helen, Dear John,

Cook Islanders have the distinction of being citizens of New Zealand as well as Cook Island nationals. They will be competing in the women's slalom (canoeing) in the 2012 Olympic Games.

The videos below show what the islands look like from the air and the ground while including interesting tidbits about what make the 15 islands that form the Cook Islands unique from one another. Though one part in the beginning made me feel a little carsick, it's an interesting and informative introduction to a country with islands that sometimes have as few as one or two inhabitants (or none actually). Pretty remarkable in a time when population is often discussed in millions and even billions now. It's fun to discover places that feel more human in scale.


I loved that bit about how Palmerston Island wasn't put on world maps properly until 1969. I think it's exciting that it isn't too late to be an explorer, or the lone inhabitant of an island. It makes me feel like a little kid again, sailing around the world on a kitchen chair in a paper captain's hat. Now how did my mom make those hats again?

Gleefully pretending because I can,

Melanie

Saturday, May 26, 2012

After Life and A Majority of One: Japan

Dear Helen, Dear John,

For months I've been wondering how I was going to write about Japan to you, especially to you, John. I've written about you both and the war before, and I'm proud that your lives and your stories have helped to heal and uplift people you've never met, decades after your deaths.

Losing your navy buddies at Pearl Harbor, then shortly afterwards having your own ship attacked and declared sunk by the Japanese... seeing men you knew on fire and all that came in the years after until peace was finally declared... Your feelings about Japan make sense to me. That's why I chose the movies A Majority of One and After Life for Japan.

A Majority of One is a gentle, humane, and humorous story about an American woman and a Japanese man becoming friends after the war. Both lost loved ones in the fighting and the bombing. Both have reasons to be bitter. Both are good people. While I would have preferred a native Japanese actor to play Koichi Asano, Alec Guinness does a fine job. Rosalind Russell as Mrs. Bertha Jacoby is pure delight. This movie makes me look at my own prejudices. It also makes me want to be a more loving person.

After Life is a Japanese movie that explores the question "If heaven was remembering just one moment of your life, what memory would you choose?" I exited the theater profoundly moved. At the time I saw it, in college, I was grieving a lot: for you, for my dad, for Everett. Every important man in my life had died by the time I was twenty-one and I was reeling from it. I talked about the movie with the lady I lived with at the time and she asked me what memory I would choose. At that time, and for years afterwards, I chose the last time I was with Everett because even with all of the horrible things that were happening at the time, I was so happy that day, so hopeful, and all of you were still here.

This last month I've had plenty of time to ponder that question all over again. As I waited with, and tried to give moral support to my mom in doctors' offices, the hospital, and a surgical center this past month, a lot of memories came back. The smell of hospital soap is always the same and that smell alone opens a pandora's box of memories for me, both as loved one and patient. As I saw elderly men pushing their wives in wheelchairs something inside of me really hurt. How often does that happen, that the husband is still around? Perhaps I've been raised around and befriended by a disproportionate number of widows in my life, but having the men there late into life is not my personal experience. Sitting in the hospital I wondered, do I really want to get married? To get so close to someone only to not have them in my life? I've seen the lonely up close in the women around me who survive.

That's where you two came in and helped heal my life all over again.

I thought about you, Helen, and Guthrie, who died just after you were married when you both were so young, and how you loved and missed him all of your life, into your nineties. If you were still here, I know that you would tell me that you were not sorry that you married him.

And I thought about you, John, and my dad, and how it hurts when I miss you, but how much hollower and painful my life would be without having you in it, because even with you gone, everything we had and we shared is mine to keep. As I wondered, "Could I handle lingering sick and death once more, with a husband?" I looked around that hospital waiting room and I realized, yes, I could. I've done it. Loads of times before. It's hard. It changes you. It takes chunks of you with it. It can make you hate being awake and afraid to go to sleep, but it is harder to take love and people for granted when you know what it is like not to have them there. I've ultimately loved more unconditionally because of it. I've been willing to do uncomfortable and frightening things because of it. And that morning in the hospital, before the nurse came to take me back to my mother, I remembered that I need to make my decisions out of faith not fear. Faith means choosing love, even knowing that it is intricately tied up in hurt and loss. Because in my lonely that morning, remembering your love still had the power to comfort me.

That's what true love is: protective gear. Love doesn't prevent us from being hurt or knocked down by life, but it does prevent those blows from being fatal to us.

That moment in the hospital is my new, if-you-could-only-take-one-memory-with-you moment because in that moment I felt resilient, I felt strong, I felt loved, and I realized I could do this.

Thank you for being a part of that moment with me, by living the way that you did while you were here.

Tremendous love from the one who made you a great-grandmother and a grandfather respectively,

Melanie

Friday, May 25, 2012

The Violin Concerto by Jean Sibelius: Finland

Dear Helen, Dear John,

My sister-in-law's mother got me interested in Finland several years ago (her mother was from there). Those conversations along with a classical music documentary I saw around that same time got me interested in Jean Sibelius, which led me to a community orchestra performance of his violin concerto in Atlanta that spoke to my soul and quickly made Jean Sibelius one of my favorite composers ever.

Every time I listen to the second movement of this piece it touches me. If my life were a movie, this movement would be my choice of soundtrack for the moments when I seek to connect with someone incredibly special to me on a deep level or strive for an elusive dream or goal just out of reach (which as you know, I do often). The tender moments of almost unbearable longing and sweetness perfectly capture why I keep trying, the comfort that mercifully steals in with what feel like my last possible efforts, and the beauty of continuing on with hope, whether I am ultimately successful in what I am working towards or not.

There are many versions of this piece I enjoy, but Christian Ferras gives his soul with it, something I hope to do one day when I am able to play it on my cello:


Finding comfort in Sibelius,

Melanie